This film is a romantic entanglement, illustrating the hectic and emotional wedding preparation in a large family. It is an arranged marriage, but the couple are hardly protected innocents.
At the same time, the film also shows the global commercial and cultural links of India. It takes her back to India, but to a very different milieu from the lowest strata so vividly depicted in that first film. Moreover, we hear a number of different dialects of English: The use of English, and of distinct dialects Globalization monsoon wedding English, shows that India has embraced global culture as well as other, more distinct cultures.
The production and marketing of the film itself also exemplify the ongoing cultural interaction between India and the West. This is a moral cliffhanger and Nair carefully spins it out until near the end, when the inner family core gathers for a wedding photograph, the men wearing pink turbans, and the photographer remarks: The five interconnecting love stories end in a wedding amid the monsoon.
It is so light, sincere, heartwarming and very human. At times, it feels like any family gathering you might experience, but it also has all the beautiful traditions, colorful clothing and decorations, and of course, song and dance.
Culture Section for more information Leave a Reply. So many worlds come together to celebrate Indian tradition and marriage. And this irony is not reflected just in films. Dubey, get in an argument over the color of the wedding tent, as Lalit wanted it to be colorful as in tradition, while Dubey had already set up a Western-style white tent.
Other elements of the film also display the complexities of globalization. New consumer goods were introduced to the Indian marketplace, and media from foreign lands also became available Sharpe Western cultural influence Globalization monsoon wedding especially notable and exaggerated because Indians value the maintenance of uniquely pure Indian identities.
In contrast, dance numbers in common Indian films occur spontaneously and frequently throughout the movie. Monsoon Wedding is popular among Indian and non-Indian audiences alike, and this success is largely due to the phenomenon of globalization.
Lalit and the wedding planner, P. Family photos — they do not capture the secrets that lie behind. He first appears at an engagement party when an orphaned niece with literary ambitions announces that she wants to study creative writing in the States, a very practical course, an aunt observes, as she could end up a Booker Prize-winning millionaire.
Whereas Western management techniques and business practices were quickly integrated into traditional lifestyles in the growing Indian software industry, most Indians continue to eat indigenous foods, watch local movies Globalization monsoon wedding TV, and to wear traditional clothing.
The wedding organizer is self-styled businessman, P. It feels somewhat relatable, but at the same time curiously different. Ria asks Aditi in the beginning of the film why she must have passion when she can marry for love.
Hollywood studios develop films with greater global collaboration and global appeal because revenues from the overseas releases of Hollywood films now account for more than half of total studio revenues and because, at the same time, foreign film industries are becoming more competitive with Hollywood.
At the same time, Hollywood films that are targeted at the American market are often remakes of foreign films.Monsoon Wedding is a film directed by Mira Nair and written by Sabrina Dhawan, which depicts romantic entanglements during a traditional Punjabi wedding in Delhi. Writer Sabrina Dhawan wrote the first draft of the screenplay in a week while she was at Columbia University's MFA film program..
gender, nation, and globalization 59 Monsoon Wedding presents the contradictions of everyday life that an opening of India to globalization has introduced. The ﬁlm destroys any lingering image of a nation mired in some premodern space as a tradi.
jenny sharpe Gender, Nation, and Globalization in Monsoon Wedding and Dilwale Dulhania Le Jayenge The crossover success of Mira Nair’s Monsoon Wedding (), whose characters speak English, Hindi, and Punjabi, lies in the skill with which the film acquaints a Western audience with the sights and sounds of the new global India.
‘Monsoon Wedding’, which won the Golden Lion as the best film at Veniceis the kind of film where you meet characters you have never been within 10, miles of, and feel like you know them at once. Monsoon Wedding Demonstrates Cultural Impact of Globalization on Many Levels After winning the Golden Lion award for Best Film at the Venice Film Festival, “Monsoon Wedding” went on to become a critical and box-office hit in the United States.
Monsoon Wedding presents the contradictions of everyday life that an opening of India to globalization has introduced. The film destroys any lingering image of a nation mired in some premodern space as a traditional land with ancient customs and beliefs.Download